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Poomaram review & rating “a classic malayalam movie”

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Poomaram Movie review

Directed by Abrid Shine
Produced by Paul Varghese
Abrid Shine
Written by Abrid Shine
Starring Kalidas Jayaram
Music by Perumbavoor G. Raveendranath
Gopi Sundar
Faisal Razi
Leela L GiriKuttan
Arackal Nandakumar
Nasil P
K.A Anish
Vishnu Sivasankar
Sayoojya Das
Cinematography Gnaanam Subramanian
Edited by KR Midhun
Production
company
Dr. Paul’s Entertainment
Distributed by Central Pictures
Release date
  • 15 March 2018 (India)
Running time
152 minutes
Country India
Language Malayalam

The debacle of Mrityudata and Major Saheb have irrefutably declared that Bachchan can no longer look back in anger. It doesn’t work anymore – all that huffing, puffing and blowing the house down business. Specially not in an age of sweet romance and sugary family sagas. And now with Bade Miyan Chote Miyan, the last bastion falls too. Bachchan the comedy king who created laugh riots with his of-the-people-for-the-people portrayals of the coolie, the tangewala, the petty goonda, the village yokel and the singing-dancing waiter has been replaced by the new badshah of broadside humour. Sad, but yes, Govinda as the Chote Miyan, has outwitted the Bade Miyan on his own wicket. For Bachchan’s Bade Miyan does not only look tired and jaded before Govinda’s rambunctious Chote Miyan, it sometimes seems a pale copy of it too.

Both as Arjun Singh, the somewhat serious cop who tries hard to set things right and Bade Miyan, the rustic conman who comes into the city from nowhere, Bachchan is left a few steps behind by Govinda’s sprightly Inspector Pyare Mohan and cherubic Chote Miyan, the poker-faced partner-in-crime. Govinda’s sense of timing, his spontaneity and his inherent joi de vivre leaves Bachchan almost panting as he desperately tries to keep pace with this new brand of buffoonery. Blame it on the peculiar chemistry that seems to work between the David Dhawan and Govinda combine or on sheer talent alone, but Bachchan with his gaudy jackets, his puckered faces and his pelvic jigs is left behind breathless.

This apart, the film is an entertainer with all the mandatory twists and turns in the one-line plot, the medley of synthetic songs and dances and the gag bag of tricks which have become prototypic Dhawan fare. The first half is inspired by Bad Boys with Bachchan posing as Govinda as he tries to protect Ramya, a key witness in a cop’s murder. But the fun and games begin in the second half, after the arrival of the two look-alike conmen who pre-empt the cops before every move and leave behind a chaotic melee in their wake. Add a goofy police commissioner (Anupam Kher), a crazy sculptor (Paresh Rawal) and a colourful kingpin of the Chor Bazaar (Satish Kaushik) and you have regular masala fare from the Dhawan factory. With a bit of the zing missing this time.

Hai, this is sri ram, I one of the General Assignment Reporter, at timesnowindia.com, We mainly cover timely news, educational and entertainment, sections. - Chief editor, politico-social activist, software engineer at Accenture India.

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entertainment

Daas Dev – Movie review and rating “Bollywood epic Drama”

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Daas Dev movie review and rating

Directed by Sudhir Mishra
Produced by Sanjjeev Kumar
Gaurav Sharma
Manohar P Kanungo
Screenplay by Sudhir Mishra
Jaydeep Sarkar
Starring Rahul Bhat
Richa Chadda
Aditi Rao Hydari
Saurabh Shukla
Vineet Kumar Singh
Dilip Tahil
Anurag Kashyap
Music by Vipin Patwa
Sandesh Shandilya
Arko Pravo Mukherjee
Shamir Tandon
Anupama Raag
Cinematography Sachin K. Krishn
Edited by Archit Damodar RastogiRastogi
Production
company
Storm Motion Pictures
Saptarishi Cinevision Production
Distributed by Shringar Films
Release date
  • 20 April 2018
Country India
Language Hindi

Once upon a time there used to be recognisable barriers of race, religion, class and caste in the path of true love. But all that is passe today. City of Angels posits a new problem. What happens if an angel falls in love with a human being? How do they meet, touch and mate? And do they live happily-ever-after? If so, where: in heaven or on earth? Also, does the angel become human or does the human acquire a corporal form? Unusual teasers in an unusual love story.

Seth, a dewy-eyed on-duty angel (Nicholas Cage) comes across Maggie, a weeping doctor (Meg Ryan) in the corridors of a hospital in Los Angeles and falls desperately in love with her. In his attempts to console her, he makes himself visible to her, but only occasionally. So that, Maggie, the cardiologist who has just lost a patient on the operating table, begins to lose her blues due to her intermittent encounters with the beatific-looking guy who pops up in the hospital corridors or the local library, lending her a gentle word and a Hemingway book for comfort. Of course, he does pose that strange query now and then, asking her to define taste, touch, love and desire. This only adds to the enigmatic charm of this mystery suitor who begins to cloud the senses of the no-nonsense doctor who longs for more and more of him. A longing that is reciprocated by the winsome seraph who takes the deep plunge that angels must take to become human. All for a whiff of her hair, a touch of her hands.

Gooey, romantic stuff that may be an adaptation of Wim Wender’s Wings of Desire. Only here the philosophical tones of Wender’s films have been replaced by a breezy effervescence that lends a surface sheen and a sparkling chemistry to the relationship between Cage and Ryan. Of course, the riveting portrayals by the two of them enhances the grandeur of the film. If Cage is almost pristine, with his brilliant encapsulation of angelic goodness, then Ryan is bristling with unbridled energy as the perfect human. But more than all this, the film is a lilting ode to human kind. The angels might hear celestial music during sunrise and sunset, but man has free will. Apart from this, he can taste water, read the newspaper, feed a dog and breed a family. So there!

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Hey Jude – A journey of healing and transformation – Review and rating 2018 – TNI

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Hey Jude movie review

Directed by Shyamaprasad
Produced by Anil Ambalakkara
Screenplay by Nirmal Sahadev
George Kanatt
Starring Nivin Pauly
Trisha Krishnan
Music by Ouseppachan
M. Jayachandran
Gopi Sundar
Rahul Raj
Cinematography Girish Gangadharan
Edited by Karthik Jogesh
Production
company
Ambalakkara Global Films
Distributed by E4 Entertainment
Release date
  • 2 February 2018
Country India
Language Malayalam

One more addition to the `Mera Bharat Mahaan’ movie memorabilia, Hero Hindustani is the inverse of Aur Pyar Ho Gaya, the obverse of Pardes, the reverse of Purab aur Paschim and a follow-up of Dilwale Dulhaniya Le Jayenge. It carries forward the current craze for a canned variety of Indian tradition and culture which has become the be-all of popular culture today.

An aging NRI (Paresh Rawal) who has built his fortunes in London has just one fear. His grand daughter Nicky (Namrata Shirodkar) might just turn her back to her family legacy. She might just go ahead and marry some `Tony Braganza’ and give up her native `sanskriti’ and `sabhayata’ for the western life style. So he comes up with an ingenious plan to ward off the imminent doom. He fixes her marriage with a `made-in-India’ groom who lives in a haveli in Tikamgarh, surrounded by colourful Rajasthani bards who break into song and dance at the drop of a hat. Could have been quite all right and the aging patriarch might just have settled down with a brood of Tikamgarhi great grand children who would wear the traditional turban while strolling down the Thames. Only, Nicky has already been swept off her feet by the strong westwardly currents. An Indian groom does not fit into her lifestyle at all. Specially when she has already found a brawny Made-in-London Indian for herself.

So what does natty Nicky do? She flies to India, finds a tourist guide (Arshad Warsi), signs him up as her contract husband and returns to Dadaji, hoping to make him anti-India with the desi husband’s despicable ways. Doesn’t work at all. For East or West, Indians are the best, Yo! The tourist guide turns out to a thoroughbred Hindustani hero who knows how to recite the vedic mantras and celebrate Eid with equal gusto. And yes, he also knows how to tame `phoren’ shrews with a few stinging slaps, forcing them to shed their minis for the Indian sari as part of the metamorphosis.

The plot may be predictable, but the lively comedy track keeps the film afloat. More than the lead players, it is the character actors who steal the show. Kader Khan is irresistible as Topi Master, the taxi driver who has spent his life dreaming of flying off to dear friend Santa Singh, who owns half of London. Shakti Kapoor too manages to raise a few laughs as Cadbury, the butler who bears the brunt of all the tricks. But the surprise package is Arshad Warsi who displays a remarkable spontaneity – reminiscent of Govinda – in his portrayal of Romi, the flamboyant tourist guide.

Light and breezy fare.

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Baaghi 2 “Indian Thriller/Action” Movie review and rating by TNI

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Baaghi 2 Movie Review and rating

Directed by Ahmed Khan
Produced by Sajid Nadiadwala
Screenplay by Ahmed Khan
Abbas Hierapurwala
Niraj Kumar Mishra
Story by Adivi Sesh (original)
Sajid Nadiadwala (adaptation)
Based on Kshanam
Starring
  • Tiger Shroff
  • Disha Patani
Music by Score:
Julius Packiam
Songs:
Mithoon
Arko Pravo Mukherjee
Sandeep Shirodkar
Gourov-Roshin
Pranaay Rijay
Cinematography Santhana Krishnan
Production
company
Nadiadwala Grandson Entertainment
Distributed by Fox Star Studios
Release date
  • 30 March 2018
Running time
144 minutes
Country India
Language Hindi
Budget ₹ 60 crore
Box office ₹ 212.91 crore

Sabotage sends the first space colonisers reeling into unknown territory amidst the stars and the moons. Instead of docking and settling down on Alpha Prime, the only other habitable planet in the galaxy, the Robinson family ends up on a weird space station, inhabited by marauding spiders and a mysterious yellow alien. There, in the midst of nowhere, there is little they can do besides juggle with the sundry buttons on their machines, hoping to strike the right one and head home again. Or else look for peace amidst the webs of intrigue that have been meticulously woven by the sinister Dr Smith (Gary Oldman) who is hell bent on foiling human progress.

So what do we have here? Yash Chopra’s Dil To Paagal Hai replayed as Karan Johar’s Kuch Kuch Hota Hai with a few cosmetic changes to add that note of difference. But no, deja vu does not set in, despite the fact that this young director has replaced Chopra’s dance theatre backdrop with an Archie’s comic college, Karisma’s fiesty hero’s-best-buddy bit by Kajol’s more fiesty friendship and Akshay’s `understanding fiancee’ finesse by Salman Khan’s brawny charisma. It is Madhuri’s Miss India part which has provided him a platform for innovation. He divides the dream-girl bit between Tina (Rani Mukherjee), the feminine new collegiate and Anjali (Kajol) the tomboy who turns into a woman after being sidelined in love. And quite a judicious division which sees Tina playing beloved in the first half and Kajol gracefully metamorphosing from buddy to beloved in the second half.

 

Based on a television series, the film supposedly has 750 state-of-the-art special effects apart from talking robots and spaceship dogfights. Only this time, the effects aren’t actually visible for the booms and bangs of Lost in Space can hardly be distinguished from the booms and bangs of other space adventure films.

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